Read online Andrew Kelly - Cinema and Society: Cinema and the Great War TXT, PDF, FB2
9780415052030 0415052033 Cinema and the Great Warconcentrates on one part of the art of the war: the cinema. Used as tool for propaganda during the war itself, by the mid 1920s cinema had begun to reflect the rejection of conflict prevalent in all the arts. Andrew Kelly explores the development of anti-war cinema in, Britain, America, Germany and France from the ground-breaking Lay Down your Arms, made by Bertha Von Suttner in 1914 and Lewis Milestone's bitter All Quiet on the Western Frontthrough to Stanley Kubrick's magnificent Paths of Glory., Cinema and the Great Warexplores the way in which WWI has been represented in anti- war cinema. Kelly deals with both anti-war films made after WWI and recent films such as Kubrick'sPaths of GloryandKing and Country., Used as tool for propaganda during the war itself, by the mid 1920s cinema had begun to reflect the rejection of conflict prevalent in all the arts. The author explores the development of anti-war cinema in Britain, America, Germany and France from Lay Down your Arms, made by Bertha Von Suttner in 1914 and Lewis Milestone's All Quiet on the Western Front through to Stanley Kubrick's Paths of Glory.
9780415052030 0415052033 Cinema and the Great Warconcentrates on one part of the art of the war: the cinema. Used as tool for propaganda during the war itself, by the mid 1920s cinema had begun to reflect the rejection of conflict prevalent in all the arts. Andrew Kelly explores the development of anti-war cinema in, Britain, America, Germany and France from the ground-breaking Lay Down your Arms, made by Bertha Von Suttner in 1914 and Lewis Milestone's bitter All Quiet on the Western Frontthrough to Stanley Kubrick's magnificent Paths of Glory., Cinema and the Great Warexplores the way in which WWI has been represented in anti- war cinema. Kelly deals with both anti-war films made after WWI and recent films such as Kubrick'sPaths of GloryandKing and Country., Used as tool for propaganda during the war itself, by the mid 1920s cinema had begun to reflect the rejection of conflict prevalent in all the arts. The author explores the development of anti-war cinema in Britain, America, Germany and France from Lay Down your Arms, made by Bertha Von Suttner in 1914 and Lewis Milestone's All Quiet on the Western Front through to Stanley Kubrick's Paths of Glory.